“Tula’s elegant phrasing effectively displayed the harp as a melodic instrument. The substantial cadenza, charged with vigor by Tula, resounded especially vividly in the crisp New World Center acoustic. Tula’s harp line sparkled in the catchy folk-inflected tune of the finale. Throughout the half hour work, her precision and verve were manifest.”
- South Florida Classical Review of Ms. Tula’s performance of the Glière Harp Concerto, March 26, 2018
“. . . the Epilogue: Song of the River, featuring Chloe Tula on a sublime harp solo, was the icing on the cake."
- Annette Skaggs, Arts-Louisville Review, May 20, 2019
“Chloe Tula’s harp solo was clear and elegantly shaped.”
- South Florida Classical Review, March 17, 2019
“Chloe Tula’s harp added spice to the orchestral palette and the hard-working percussion section deserves special praise.”
- South Florida Classical Review, February 17, 2019
“Benjamin Britten’s Young Person’s Guide to the Orchestra is a brilliant set of variations on a theme from Purcell’s incidental music to Abdelazer… the harp’s solo display turned sweeping arpeggios and glissandos into elegant miniature thematic bursts.”
- South Florida Classical Review, October 21, 2018
"Violinists Jessica Ryou and Hye Jin Koh, violist Kip Riecken and cellist Blake-Anthony Johnson spun a sweet and warm fabric of sound, while harpist Chloe Tula elevated the texture with an ethereal accompaniment."
- South Florida Classical Review, January 22, 2018
"The prominent harp part was expertly handled by Chloe Tula. She adeptly blended the instrument’s timbres with Mackey’s brass and mallet combinations."
- South Florida Classical Review, December 10, 2017
"The 1945 orchestral version of Aaron Copland’s Appalachian Spring was the program’s lone familiar offering and displayed the New World players at their best . . . Chloe Tula’s harp emerged finely transparent at the quiet conclusion."
- South Florida Classical Review, December 6, 2017
"Despite the work’s thick scoring (which included five horns, three trumpets, three trombones and tuba), the recurrent glissando lines of the two harps were projected with clarity."
- South Florida Classical Review, November 12, 2017
"Chloe Tula’s harp cadenza was exquisitely contoured..."
- South Florida Classical Review, October 15, 2017